00:00 Guitar opening. 
00:04 Bass enters. 
00:09 Brass shout with vocalizations to set up the verse. 
00:18 Verse; guitar continues the pattern (another pattern is played on another guitar. Notice the interesting vocal harmonizations. 
00:38 Verse. Notice how the backup brass parts are short punctuations rather than longer melodic lines. Also notice how the guitar adds energy with its rhythmic riff. 
00:47 Chorus, vocals in harmony. 
00:57 Keyboard solo fills; bass answers with brass punches. 
01:01 Bridge. Guitar solo. Notice the brass builds adding energy to the solo. 
01:14 Second verse. The dialogue between the singers returns. Guitar is very active but quietly in the background. Notice how active the bass part is. It works in a low register and also higher to make fills in between vocal phrases. The brass punches continue throughout. 
02:09 Chorus (notice keyboard comping on the off beats). 
02:19 Brass enters with a riff. 
02:38 Vocals with only the bass. Notice how the bass plays both low and high tones as if it were really two different instruments. If you listen carefully you can hear this throughout the entire piece. Bass plays less and less. 
02:47 Vocals totally a capella. 
02:52 End.